Homeless? challenges the deeply engrained and idealised image of a functional family. Because you can love the image of home, all while despising the memories within. I’ve come to realize that a 'home' isn’t about how many millions it cost, or how many kilometers from the beach it sits. By transforming a traditional oil painting into a three-dimensional object placed on a vintage armchair, I’m hoping the physicality of a domestic cushion – with its associations of comfort – will engage my audience to consider their domestic life – and how functional – or dysfunctional – their family is, masked in a false perfection.